It
appears clearly at the end of this study that these son et lumière want to present the architecture thanks to modern
means and be closer to the public.
Collaborations
between cultural services and technicians well skilled in new technology give
birth to events where dream and historical reality or sensibility and intellect,
are linked to one another.
According
to me, relations between researchers and technicians must be created, so that
the spectacles will be even more linked to real history, but the shows must
stay quite as they are, not too complicated and close to everyone, every ages.
Furthermore
it is obvious that to create these shows a lot of money is needed and
infrastructures in place must work with the project, so we’ll easily see theses
spectacles in big cities with a high budget in culture and less in small
cities. More and more we see that they ask sponsors for help, firms or private
people.
But
for the moment, there is no need to worry: only looking at the north of France
we can count a lot of cities developing these projects, Amiens, Laon, Chartres,
Rouen etc. and the number of visitors seems to increase year after year.
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